Opinion
The final act of the culture wars in the West: Gamergate 2.0
If you have been exposed to any film, play, book or TV series produced in the West in the last decade, you are at least somewhat aware of the cultural shifts that have taken place.Western entertainment producers have placed the issue of “representation” at the heart of their content. I am sure you have heard discussions such as “Why does Netflix make everyone black? As you know, even in our Generation Z, terms such as “cancellation culture” or “sjw” (social justice warrior) have emerged. This is not surprising, because in a globalised world it would be naive to think that trends in the West would not find their direct counterparts here. Especially when there is such a culture war going on!
I’ve written a lot about these culture wars, so I won’t repeat myself. But something has happened recently in the West. And this event is very similar to point 0 of the culture wars. Therefore, it would be useful for Turkey to understand an issue that can upset all cultural balances in the West.
If the little fish swallows the big fish…
Now prepare for a bombardment of corporate terms. The hero of our story is Sweet Baby Inc (SBI), a small consultancy based in Montreal, Canada. Its aim is to advise the giants of the games industry on how to comply with DEI (Diversity, Equality, Inclusion) guidelines. DEI can be explained as a set of rules that companies have developed in recent years to ensure gender and racial equality among their employees and services. SBI specialises in story design. In other words, this company makes sure that the stories in new games produced by industry giants are sufficiently diverse, equitable and inclusive. If ‘racist’ or ‘sexist’ characters or stories appear, they intervene and help to fix them.
Depending on your point of view, such a service can be seen as an egalitarian effort to ensure fairness, or as a chore that leads to boring work by setting artificial limits on human creativity. But SBI is not the only company doing this. Let’s talk about why we’re hearing about it. There is a platform that is undoubtedly on the desktop of anyone who has ever played games on a computer; Steam. This platform acts as a digital library. It is the most popular platform for collecting games and various software that you buy from the internet. Steam is also home to communities that critique games. One such community is “Sweet Baby Inc. Detected” or “SBI Detected”. The purpose of this community is to identify and flag games that work with the company SBI.
According to the community, which was created by a Brazilian teenager, games that work with SBI prepare their stories with the aggressive expectations of the company rather than the creative design of the producer. This results in boring games. The whole thing came to light when Christian Kindred, an SBI employee and Twitter user, announced a “shut this community down” campaign. Are you familiar with the Streisand Effect? You know when something you don’t want to be heard is heard even more after you intervene? This is exactly what happened. The community, which had only 40,000 members at the time, grew to 280,000 within a few weeks of Kindred’s tweet!
SBI had caught the public’s attention. Was a tiny company teaching industrial giants how to write stories? A little digging revealed an even more interesting picture. The public speeches made by the company’s CEO, Kim Belair, were shocking. Belair said: “If you want to change a story, put pressure on the bosses of the company you work for. Back them into a corner and threaten them with cancellation on Twitter!” In other words, the CEO of a tiny company was able to hold industry giants hostage for fear of being labelled racist or sexist and lynched on Twitter.
Think of it like the mafia. If you don’t want to be cancelled, make the changes we want! And who’s going to cancel you? Us, of course!
Then came the testimony of another SBI worker. In addition to SBI, Dani Lolanders was also a story designer at industry giant Electronic Arts. In one of her speeches, Lolanders said that she did not favour white people when hiring for her side projects. According to Lolanders, the presence of white people in the office made him uncomfortable. So he only hired people from minorities. This was not only a racist act, but also a federal offence. Under US law, it was illegal to consider race or gender in hiring.
After the scandalous posts by SBI employees were revealed one by one, the silence of the mainstream gaming media did not last long. Almost on the same day, major media outlets such as Kotaku and IGN published articles targeting the SBI-discovered community, especially those who had complained about SBI. These articles claimed that the hostility towards SBI was a far-right conspiracy, and that it stemmed from the fact that minorities and women were not wanted in the industry. Of course, they did not offer much in the way of rebuttal. They just said that SBI was not as influential in game design as they thought. The Kotaku article mentioned that Suicide Squad’s storyline, which was much mocked in its final stages and dropped to 300-400 players within days of release, was only tweaked after development was complete. This was not true.
Sweet Baby Inc. had three employees who wrote the story for Suicide Squad. One was the company’s CEO, Kim Belair, and the other was Grand Roberts, who carried the title of “lead writer”. If SBI were only making minor changes, what was the lead writer doing all this time?
Furthermore, Kim Belair admitted in all his interviews that they were pushing for more identity diversity in the stories they were working on. In short, the game media defence was stillborn.
SBI is a grain of sand
Now you might say, “What should we do if a small company does this? Why should it affect us?” Wait, it’s going to get bigger: when the number of members of the SBI-discovered community reached 300,000, the mainstream media got involved. Many Western newspapers, including the Guardian, reported on the scandal in the gaming world. The media portrayed the whole thing as a pathetic “far-right extremists running a harassment campaign against SBI because they are a minority”.
But this time it was different. The “Community Note” feature of Elon Musk’s X platform left messages under many of the shared articles saying that the incident was not a harassment campaign. Then it emerged that Take this, one of the companies defending SBI, was funded by the US Department of Homeland Security. It turns out that a significant number of such companies are supported by the federal structure to “combat extremism in the gaming world”.
Elon Musk weighed in directly on the news. He said that companies like SBI were a cancer on the entertainment world and wished them a quick demise. He continued to share developments about SBI on his X account.
Let’s get to why this event is being called Gamergate 2.0.
Gamergate, like SBI, is a very long story, but I will try to summarise it as briefly as possible. It all revolves around a game developer called Zoey Quinn. In 2014, after a stormy break-up, Quinn’s ex-boyfriend claimed that Quinn was having an affair with a game critic in exchange for positive reviews of her game. The incident quickly escalated into a culture war. Feminist groups claimed that Quinn had been subjected to a campaign of harassment because she was a woman, while Gamergate supporters argued that feminists and liberal progressive groups, particularly feminists, were exposing unethical relationships with the media. Whatever you think of Gamergate, it would not be an exaggeration to say that it was ground zero in the culture wars that began in the West. The protagonists of Gamergate have been appearing in the mainstream media for years. They even spoke at the United Nations. After Gamergate, Western states, especially the US, began to allocate funds in the name of “countering extremism”. This has given rise to companies such as SBI, which adds diversity to films, series and games.
Meanwhile, it should be added that Zoey Quinn has remained a controversial character over the years. She used her fame in the Gamergate scandal to raise money for her new game, which was never made. She also accused another friend, Alec Holowka, of sexual assault on social media. Holowka, a game developer himself, committed suicide following the allegations. We never found out if Holowka, who committed suicide after the social media trial, actually committed the crime or not. Even stranger, Holowka’s sister Eileen Mary Holowka’s company Baby Ghosts, which sided with Quinn after the suicide, is one of the companies funding SBI today. Who’s with who, eh?
A turning point in the culture wars
SBI is not a large company. The number of games in its sphere of influence can be counted on two fingers. But the emergence of a company like SBI tells us a lot about the direction of the culture wars. Until now, the financier of cultural change in entertainment content produced in the West has been the ESG investment system and the company Blackrock that supports it. The ESG system labelled companies with environmental and egalitarian policies as ‘safe’ for investors by giving them high scores. This pushed companies that did not want to spend money on environmentalism to become egalitarian. Think about it: is it more expensive to make an ad with an identity salad? Or to become a truly green company? That’s why even a wafer company wants to reiterate how much it cares about gender equality. The social engineering efforts of ESG and Blackrock deserve their own article. For now, let’s move on to SBI.
SBI and companies like it are the implementers of a structure whose financiers are Blackrock and the US federal government, and whose theorists are liberal academics. In this way they impose social changes that have no public resonance. The explosion of the SBI scandal could be a turning point in the ongoing culture wars. Compared to the first Gamergate, the group of those who oppose this change is larger. The fact that the former Twitter is now owned by Musk completely changes the balance. If working with companies like SBI distracts the public from some entertainment tools, manufacturers may start to fear working with these companies. Of course, the issue is still up in the air. It is too early to say who will win.
However… at the end of the day, there is a serious public reaction against the pressure on works of art. Yes, there is a need for an environment where women and minorities can work comfortably in the entertainment world, especially in the games industry, and there is a need for companies to produce content for them. The problem with the industry in the past has been the lack of that. To be honest, it would be unrealistic to say that far-right elements and people with ulterior motives were not involved in movements like Gamergate.
However, the solutions to these problems have turned almost the entire entertainment world into a factory churning out the same boring characters. Superficial minority characters added to tick off corporate expectations, villains who are reluctant to utter a phrase that might be considered offensive, white men deliberately designed to be stupid and incompetent as the price for the “privileges” they have enjoyed for years, women designed to be as ugly as possible to avoid objectification, and many other boring modern design rules have surrounded the entertainment industry. People like George Lucas and Stan Lee, whose main motivation was passion, were replaced by upper-middle-class liberals who wanted to impose their own political message in a laboratory environment. And those who criticised this dark age of entertainment were hounded morning and night by the media. Media outlets that write masterpieces such as “The sexiest men of 2023” with their mouths watering and scream “objectification” when they see a single attractive woman in the games, naturally find no response in society.
This is exactly why the entertainment tools produced in the West are slowly losing their appeal. Marvel and DC comics are being replaced by Japanese manga, which do not succumb to such pressures. While the productions that big game companies spend millions of dollars on are crashing, simple games from small studios are taking their place.
Frankly, I can’t imagine corporate chains on the creativity of legendary works of art from the past. Who would sit and watch Lord of the Rings with a company like SBI as a consultant? Who would take the time to read a book that Dostoyevsky or Hemingway would have written for fear of being cancelled, with attention to racial equality, environmentalism and gender equality? These productions were masterpieces created by passionate creators who took a pinch from themselves and their surroundings.
If they had drowned their work in such institutionally bounded political messages, they would have been applauded by those who championed those messages, but soon forgotten, just like many films, TV series and plays that have emerged in the last decade…
Opinion
India’s space sector: A launchpad for global partnerships
Ambassador Gurjit Singh, former Indian Ambassador to Germany, Indonesia, Ethiopia, and the ASEAN and African Union missions

Growing competition in outer space provides India with a unique opportunity to shape a narrative in which collaboration, rather than confrontation, drives space exploration. Recognised as a trustworthy and cost-effective spacefaring nation, India is now well placed to transform its technological advances into enduring international partnerships that contribute to scientific progress, economic growth, and sustainable development.
India’s journey into space has been distinctive. Unlike many space programmes that emerged from Cold War rivalries, India’s programme was conceived as an instrument of national development. Dr. Vikram Sarabhai anchored India’s space vision in practical applications that would improve the lives of ordinary people. Under his leadership, satellites were developed to strengthen communications, weather forecasting, disaster management, healthcare, agriculture and education. This development-oriented philosophy remains central to India’s space programme and resonates strongly with the needs of countries in the Global South, which seek practical applications of space technology rather than prestige alone.
Today, India’s achievements extend beyond developmental applications. The Chandrayaan missions, the Mars Orbiter Mission, the Aditya-L1 solar observatory, and the forthcoming Gaganyaan human spaceflight programme have established India as a nation capable of executing sophisticated and reliable space missions. Chandrayaan-3’s successful soft landing near the Moon’s south pole placed India among an exclusive group of space powers while demonstrating that world-class innovation can be achieved at comparatively modest cost.
India’s growing credibility comes at a time when the global space economy is expanding rapidly. Valued at over US$600 billion today and projected to approach US$1.8 trillion by 2035, the sector is increasingly driven by commercial activity in satellite communications, Earth observation, navigation, climate services, broadband connectivity, and emerging fields such as in-orbit servicing and lunar exploration. Many countries aspire to participate but lack indigenous capabilities. They seek dependable long-term partners rather than merely launch providers.
India possesses the capabilities to meet these requirements. The liberalisation of the space sector in 2020 transformed the ecosystem by opening it to private participation. The establishment of the Indian National Space Promotion and Authorisation Centre (IN-SPACe), the expanding commercial role of NewSpace India Limited, and the growth of private enterprises have created one of the world’s most dynamic emerging space ecosystems. Indian startups are developing launch vehicles, satellite platforms, geospatial applications and propulsion technologies that are attracting global investment and customers. Companies such as Skyroot Aerospace, Pixxel and Agnikul Cosmos have demonstrated that Indian private enterprise can compete internationally in advanced space technologies.
The next step is to internationalise this ecosystem.
Rather than positioning itself only as a low-cost launch destination, India will offer comprehensive partnerships encompassing satellite design, launch services, mission operations, ground stations, astronaut training, capacity building and downstream applications in agriculture, disaster management and maritime security. Such integrated partnerships would be valuable for countries across the Global South and the Indo-Pacific seeking affordable, customised and reliable technologies to meet their development priorities.
India has demonstrated the diplomatic value of such cooperation. Through the South Asia Satellite, it provided communication and developmental benefits to neighbouring countries. Indian launch vehicles have successfully placed hundreds of foreign satellites into orbit for governments, universities and commercial operators around the world. India’s decision to join the Artemis Accords reflects its willingness to participate in the peaceful exploration of the Moon through international collaboration. Cooperation with NASA, the European Space Agency and JAXA has strengthened India’s scientific and technological capabilities.
These partnerships reinforce India’s standing as a leading voice of the Global South. India offers development partnerships based on affordability, reliability and mutual respect rather than creating technological dependence. Space cooperation has therefore become an increasingly important instrument of Indian diplomacy, strengthening bilateral relationships while delivering tangible developmental benefits.
To realise its full potential, India will aim to sustain the momentum of reform. Faster regulatory approvals, greater access to venture capital, stronger intellectual property protection, and closer collaboration among research institutions, industry and academia will be essential. Public procurement policies would continue supporting Indian startups, enabling them to scale up, innovate and integrate into global supply chains.
India is positioned to play a larger role in shaping the governance of outer space. Orbital congestion, space debris, responsible resource utilisation and equitable access to emerging space opportunities are becoming pressing international concerns. As space activities expand, there will be an increasing need for countries capable of building consensus on responsible norms and practices. India’s long-standing commitment to the peaceful uses of outer space, combined with its growing technological capabilities, equips it to contribute meaningfully to the development of rules that promote transparency, sustainability and equitable access.
The coming decade will determine not only which countries lead in space but also how space is governed. With its scientific capabilities, entrepreneurial ecosystem and international credibility, India is uniquely placed to bridge the gap between established and emerging space nations. By building collaborative partnerships founded on inclusivity, mutual benefit and innovation, India can transform its space programme into a major pillar of its global engagement.
In an increasingly divided world, India’s space sector offers a powerful reminder that the greatest achievements in space are those that bring nations together. That may well become India’s most enduring contribution to humanity’s next frontier.
Opinion
Great powers and the fierce rivalry in Africa
In tandem with the retreat of US imperialism and the erosion of its hegemonic capacity, the rivalry among the world’s great powers is intensifying across vast geographies and divergent fronts alike. From Africa to Central Asia, from electric vehicles to artificial intelligence, an acute contest is unfolding—most conspicuously between the United States and China.
History instructs us that wherever great power rivalry takes root, peace remains elusive. Stability cannot endure there. Wars, internal conflicts, coups d’état, and the mass migrations they inevitably trigger dominate the horizon. Nor do great powers desire the cultivation of participatory democracy, human rights, the rule of law, or class consciousness in these lands. Instead, they bolster dictatorships, authoritarian regimes, totalitarian systems, and repressive governance. The imperialist powers harbor no concern for the scarcity of water, drought, or famine in Africa. Their focus is solely fixed on exploitation, plunder, pillaging the resources of the nations upon which they descend, and capturing their domestic markets.
Africa holds singular importance in this context. It commands attention simultaneously by virtue of its sheer expanse, its demographic weight, and its subterranean wealth. In the rivalry across this ancient and impoverished continent, the United States and China lead the vanguard. Russia, too, makes notable maneuvers, though on a less extensive scale. Between the United States and China, the race is particularly fierce regarding the extraction, processing, and conveyance of subterranean resources to world markets.
Africa—endowed with abundant mineral wealth, a population approaching 1.5 billion, and critical strategic importance along global trade routes—whet the appetites of capitalist, advanced, industrialized, imperialist states as a vast, populous, and expanding market. Geopolitically as well, its position cannot be ignored. Africa’s wealth in rare earth elements, precious minerals such as diamonds and gold, and strategic minerals indispensable to advanced technologies—notably copper, cobalt, and lithium—is indisputable.
AFRICA CARRIES NO WEIGHT IN GLOBAL POLITICS
Unlike other continents such as Europe, Asia, or the Americas, Africa possesses no single country that commands prominence in global politics or the world economy. Nor does Africa host an alliance, international organization, or bloc of comparable global stature. In the Americas, there stands a superpower: the United States. In Asia, there are great powers: Russia and China, with India also ascending. In Europe, major, consequential powers endure: the United Kingdom, France, and Germany. Yet on the African continent, no such states exist. What exists in Africa is the rivalry of non-African great powers. Even the 55-member African Union, the institutional body of the continent’s nations, remains far from exerting any real influence—not only in global politics, but even across the African continent itself.
Over the past fifteen to twenty years, Africa has undergone substantial upheavals. Armed conflicts, civil wars, and violence have become pervasive. From Ethiopia to Somalia, Libya to Sudan, armed hostilities have claimed countless lives, destabilized governments, and provoked massive waves of displacement. Terrorist organizations have seized upon these conditions as an opportune opening, and the great powers, in turn, have instrumentalized these terror networks.
In Africa, former nineteenth- and twentieth-century colonial powers such as Britain and France indulge in reveries of bygone eras. They attempt to assert themselves, yet their efforts prove futile. Germany, as Europe’s leading economic, industrial, and technological powerhouse, takes a keen interest in Africa; yet despite this attention, its institutional knowledge and historical experience regarding the continent pale in comparison to those of the British and French. Italy strives to act, but lacks the requisite capacity. The Netherlands and Belgium, once deeply entrenched in Africa, are far removed from their imperial past. Spain and Portugal assert no claim to global primacy. All of these nations languish, to borrow Ahmet Hamdi Tanpınar’s phrase, in “a vague longing for a bygone past.”
China, well aware of Africa’s significance, is investing heavily across the continent. It stands as Africa’s largest trading partner and the primary destination for the continent’s exports. In the provision of loans, credit facilities, and grants to African states, it has outpaced Western institutions. China’s investment and foreign aid capacity, economic leverage, and extensive commercial ties naturally consolidate its political and diplomatic influence across Africa, elevating its visibility and prestige. Under the auspices of the Belt and Road Initiative, Beijing continues to finance large-scale infrastructure investments as well as major communications and transport projects.
THE FEROCITY AND DIMENSIONS OF THE RIVALRY
It is, of course, impossible for Russia to mount massive economic investments, conduct extensive aid operations, or sustain the volume of trade in Africa that China commands. Consequently, it seeks to distinguish itself by guaranteeing the security of local leaders, corporate enterprises, and ruling elites, relying predominantly on private military companies (the operations of the Wagner Group being a case in point). Russia has deployed mercenaries to Mali and the Central African Republic.
The United States, for its part, endeavors to counter China’s expanding influence, economic footprint, visibility, and public diplomacy initiatives in Africa, while simultaneously laboring to reinforce its own economic and political ties with African states. One need only recall that the United States, having intervened in Libya in 2011 through NATO, has directly struck ISIS targets in Somalia. The strategic depth of Washington’s relationship with Cairo is likewise well known.
The United States, China, and Russia also stand out prominently in arms sales to African nations. As the great power rivalry on the continent grows ever sharper, the spectrum of contestation widens accordingly. Cultural rivalry is superimposed upon economic, political, and military dimensions. Because every great power seeking to expand its sphere of influence and reach is determined to block the advance of its competitors, Africa serves both as the stage for and the witness to this unsparing contest. Some experts explain this rivalry through the lens of a new strain of colonialism; others account for it by pointing to the inherent nature, complexity, and multifaceted character of competition between imperialist metropoles.
Opinion
The women who refuse to be erased: On Japan’s surrender anniversary, the fight over wartime sexual slavery continues
BUSAN, South Korea — On the day Japan marks the 81st anniversary of its surrender in World War Two, a conference room in Busan’s city council building has become the latest front in a battle over memory.
Allan Wilson, Journalist
Last month, on 23 July, academics, activists and lawmakers gathered here for a symposium on one of the war’s most painful legacies: the estimated tens of thousands of women — euphemistically labelled “comfort women” — forced into sexual slavery by the Imperial Japanese Army. The event was co-hosted by the Carter Human Rights Center’s Asia division and the Korean Women’s Forum.
“The records of the Japanese military’s comfort women are historical assets that the international community must preserve together,” Nam Myung-sook, the Busan city councillor who co-organised the symposium, told the gathering. “Social consensus must be broadened.”
Her words were aimed at more than the audience in the room.
For three decades, survivors and their advocates have pressed Japan for a full and unequivocal accounting. They have met a familiar pattern: moments of apparent progress — the 1993 Kono statement acknowledging military involvement, the 2015 bilateral agreement with South Korea — followed by retreat. Japanese officials continue to dispute the term “sexual slavery.” Textbooks soften the language. Senior politicians visit Yasukuni Shrine, where convicted war criminals are honoured alongside the dead.
The symposium came as UNESCO’s World Heritage Committee convened in Busan, and the timing was deliberate. One of the gathering’s stated goals was to revive the push to have comfort women records inscribed on UNESCO’s Memory of the World register — an effort Japan has repeatedly blocked.
“Our aim is to reaffirm the historical facts of comfort women (受害) to the international community and explore directions that contribute to peace and human rights,” said Yu Ying-mo, senior adviser to the Carter Human Rights Center’s Asia region, in remarks prepared for the event.
A statue, a warning
The symposium also addressed an incident that has become a diplomatic flashpoint: the recent removal of a comfort women memorial statue in Taiwan.
The statue, one of dozens erected across East Asia and beyond, was taken down in recent months. Organisers in Busan described the removal as “an erroneous approach that erases historical wounds and weakens collective memory,” according to the symposium’s programme.
For advocates, the Taiwan case illustrates what happens when political pressure is allowed to dictate historical memory. “Statues, memorial halls, and archives related to comfort women are important spaces of memory that testify to the victims’ suffering and history,” the Carter Human Rights Center said in its written address. “They must be respected.”
Dozens of comfort women memorials now stand in cities from Seoul to San Francisco to Berlin. Each has become a site of diplomatic friction: Japan’s government has consistently objected to them, arguing they perpetuate what it calls an inaccurate narrative.
The shrinking window
Time is running out. Of the few hundred women who came forward in the 1990s, the number of surviving registered victims in South Korea has dwindled to single digits.
This demographic reality has injected new urgency into the preservation effort. Shim Ok-ju, a research professor at George Mason University Korea, told the symposium that the focus must now shift from oral testimony — soon to be lost — to documentation and education.
Seo Kyung-soon, a professor at Pukyong National University, presented findings from the so-called “Gwanbu Trial” records — a series of postwar legal proceedings in which comfort women sought compensation through Japanese courts. The documents, she argued, contain incontrovertible evidence of state orchestration.
A designated discussant panel followed, bringing together Kim Tae-wan, a political science professor at Dong-eui University; Kim Kyung-hee, an independent researcher; and Ahn Jun-young, a journalist from the Busan Ilbo newspaper. The format was designed to bridge academia and public consciousness — to test whether scholarly findings could survive the scrutiny of working journalists and political scientists.
The international dimension
The comfort women issue has never been purely bilateral. In 1996, the UN Special Rapporteur on violence against women concluded that the system constituted “military sexual slavery.” In 2022, the UN Committee on the Elimination of Discrimination against Women urged Japan to “ensure that the issue is accurately reflected in school curricula.”
Yet the gap between international consensus and Japanese government policy remains wide. Prime ministerial statements offer “apologies and remorse” but stop short of accepting legal responsibility. Reparations have come from private funds, not the state.
For organisers of the Busan symposium, the path forward runs through multilateral institutions. UNESCO recognition, they argue, would make historical revisionism harder to sustain. But Japan has made clear it will oppose any such move, as it did when Chinese documents related to the 1937 Nanjing Massacre were inscribed in 2015.
“Facing history squarely and respecting it is a fundamental value that the international community should share,” the symposium’s organisers concluded.
This 15 August, as Japan observes its National Memorial Service for the War Dead, the women who survived — and those who did not — will be remembered in rooms like the one in Busan. Their numbers are dwindling. The question is whether their story will outlast them.
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